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Saints, Sinners +
Sacred Spaces
Devotional Folk Art
From Latin America
An exhibition of contemporary and historical
devotional folk art from Latin America
March 22 - May
20, 2001
Curated by Beate Echols
co-sponsored by CELA, ALAS, Modern
Languages Department, and supported
in part by UNITAS and a Social Events Grant.
In communities all over Latin America,
Catholic feast days are marked by processions featuring elaborate wooden
platforms -andas- on which village saints,
decorated with feathers and floral arches, are carried through the streets by
members of religious brotherhoods - cofradias.
they are accompanied by musicians, a following of cofradia members, and the
general public.

Vigin of the Ascension
early 20th century
Guatemala
wood, paint
23" x 10" x 6"
Anda - Processional
Paltform
early
20th century
Guatemala
wood
29" x 67" x 24"
In
Guatemala as elsewhere, many masked dance dramas were adapted to
Christian themes in the wake of the conquest. The Dance of the
Devils, mixing pre-Hispanic with Christian elements, centers on
the story of Lucifer, depicting the struggle between devils and
angels, or good and evil. Performed since early colonial times,
it was often banned by the Catholic church because of its pagan
features. The deer and the jaguar, sacred animals to many
indigenous groups in Mexico and Central America for thousands of
years, are honored in the Guatemala's Deer Dance, an ancient
form of nature worship, and a hunting ritual. In modern times,
it is often dedicated to a village patron saint and performed on
a Catholic feast day.

Jaguar Dance Mask
20th century
Guatemala
wood, paint, accessory materials
10" x 5" x 7"
The feast day of Corpus Christi, combining
Catholic ritual with pre-hispanic elements, provides a splendid
occasion for costume makers in highland Ecuador to fashion
elaborate head dresses, banners, and costumes for dancers in
traditional processions. A typical headdress features a vriaty
of shiny objects and discardred materials.

Corpus Christi
Headdress
c.1950
central Ecuador
jewelry fragments, gold and silver foil, mirrors, old coins,
feathers, plastic dolls, beads, animal figures, and other found
material
30" x 24" x 4"
An
important spirit/god in the Afro-Brasilian pantheon, Exu is a
transatlantic adaptation of the Yoruba deity Eshu-Elegba
or Legba. A sexually
ambivalent figure, he/she rules the crossroads of life, open or
closes doors, serves as the trickster, and functions as the
messenger goes who transmits a petitioner's wishes to other
deities. Exu sculpture, forged of iron or other metals by
specially initiated ferramenteiros
or metalsmiths, are ubiquitous in Brazilian candomle
offerings and part of many altars
created to reach a particular god. Specifically composed food
offerings, placed in prescribed locations, such as a sacred
altar ground or a crossroads location, are part of any ritual to
appeal to Exu's powers.

Exu
by Jose Adario dos Santos
c.1990
Salvador, Brazil
iron
20" x 10 1/2" x 4"
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