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Five Years: Bronze
and Glass Sculpture
by
Terry Slade
August
23 - October 2, 1996
The exhibition "Five
Years" marks the artist Terry Slade's continuing experimentation
with two sets of opposites: the fluid - yet implicitly solid -
mediums of bronze and glass, and the figure versus the abstract.
Slade was born in California and raised and educated in
Nebraska. He was taught in Florida, Italy, and New York State;
and it is apparent that the environments experienced in these
diverse places has strongly influenced his work, which is
persistently informed by the cycles of nature.
Most of the works
assembled here are constructed by creating bronze frames from
cast branches, twigs, leaves, seed pods, and other natural
elements, often found in the artist's garden. These bronze forms
are either filled or receive cast or blown hot glass. thus the
container is also the contained, the vessel is both receptor and
transporter, and the two, in their sublime union, become the
supporters, protectors, transmitters and promoters of life. In
their final form, the two mediums meld. Bronze, made from
nature, but metallic and seemingly resistant to life's natural
flow, is reconstituted into an ever changing metaphorical form.
Glass, emerging into life from sand and fire, is equally as hard
yet through its magical process, transmits light and exudes
life. thus the two amalgamate to memorialize nature.
Slade notes that he
has always been interested in these materials because they tend
to acknowledge the passage of time in the record of their own
making. In the pouring and hardening of bronze and its eternal
presence, and in the slow oozing of glass through time, they
symbolically represent the environment of humanity: life,
growth, death. Thus the figurative elements remind the viewer of
humanity's enduring and fragile qualities, while the abstract,
amorphous shapes haunt us with their continuous morphology.
Ultimately, the
sculptures are intended to provoke a metaphysical contemplation
of existence: of how humankind is connected to a larger
planetary sequence, and of how humankind, life, and nature
precariously straddle a vulnerable ecosystem dependent on the
fragile guardianship of its inhabitants.
-Fiona M. Dejardin, Associate Professor of Art



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