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March 7 - April 21,
1996
Curated by Arthur Gibbons
Artists:
Nancy Bowen
Tom Butter Dave Carrow
Petah Coyne
Chris Duncan Kenji Fujita
Arthur Gibbons Derek Haffar
Eleanor Hubbard Brad Kahlhamers
Grace Knowlton Dodie Logue Perrry Steindel
Jessica Stockholder Joy Taylor
It is
said that certain hot water springs have square bubbles that
heal not only the body but the soul. I asked a scientist if
there were such a thing as a square bubble. "No", he said, "but
if many bubbles were squeezed together, the sides of the
innermost bubbles would be flattened". So, it seems they do
exist in the midst of a larger community of bubbles - as artists
do; but this will ill serve the hot springs' healing claim and
dash the exquisite notion of bouncing air filled cubes. I
suggest we move on with the belief that square bubbles exist - a
tiny yet marvelous part of American lore.
I think many artists, particularly sculptors, seek to capture
the fabled square bubble. Over the years I have known a number
and variety of artists in school, on the street, in foundries,
in galleries, and as a teacher. My thoughts about curating an
exhibition of sculpture in the Nott Memorial are, I hope,
straight forward: to show the audience numerous approaches to
the making of objects and that the makers follow paths inside
and outside NYC, each with a particular value and community. The
essence of the Nott Memorial is reflected in the work of the
artists at hand; the viewer is presented with images of
community, the atom, the family, nature, the seasons,
birth/death, the earth, the solar system...circles, cycles,
spirals, and spheres.
Twenty
years ago I entered the Pantheon in Rome unprepared for the
breath-taking beauty and spirituality of the circular hole open
to the heavens at the dome's top. I think of this great negative
space to the skies as the penultimate object - the creation of
the massive tons of brick and mortar below it. The Nott supports
the dome containing a wondrous constellation of 709 tiny stained
glass illuminators and a modified inscription from the Talmud
which reads in simplest translation, "The day is short, the work
is great, the reward is much, the Master is urgent". Now, let us
celebrate the Nott and deposit the lifeblood of living artists
on the second floor of this temple to the dreams of the past.
-Arthur Gibbons, March 1996
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