Jenelle Troxell

Jenelle Troxell

Job Title
Associate Professor
Karp Hall 210

Research interests

Transnational cinema; documentary; visual art and media theory; modernism, literary and visual avant-gardes; little magazines, feminist, gender, and sexuality studies

Publications

“light filtering through those shutters.” Camera Obscura (forthcoming).

“‘Mirror Work’ and the Epidemic Imaginary in New Queer Cinema.” Synapsis: A Health Humanities Journal (forthcoming).

“Neither Day Nor Night: Peggy Ahwesh’s Palestinian Essays.” Framework 58.1 (2017).

“Mind Cure and Ecstasy on the Pages of Close Up.” Screen 58.3 (2017).

“Inside Jane Heap’s Boudoir: ‘the best conversation the world has to offer” Aster(ix)2 (2016).

“Torture, Terror, and Digitality.” Afterimage: The Journal of Media Arts and Cultural Criticism 43.3 (2015).

“Distracted Wreading [From Structural Film to Digital Poetics].” Mot Juste exhibition catalogue, Mandeville Gallery (February 2015).

“Shock and ‘Perfect Contemplation.’” Modernism/Modernity 21.1 (2014).

“The City Films of Jem Cohen.” CineAction 93 (2014).

“Towards a ‘criticism that is creative’: Ment (DE) 5.1 (2014).

Routledge Encyclopedia of Modernism, entries on The Smiling Mme.

Beaudet and Seashell and the Clergyman (forthcoming).

Convolution: Journal for Critical Experiment. Edited by Paul Stephens and Jenelle Troxell

Convolution 01

Convolution 02: Wreading

Design by We Have Photoshop

Awards

Jenelle Troxell has received grants from the Beinecke Rare Book and Manuscript Library, Deutscher Akademischer Austauschdienst (DAAD), American Business Women’s Association, and the Max Kade Foundation.

Academic Credentials

B.A., Johns Hopkins University; M.A., Ph.D., Columbia University